Alternate guitar tunings
Changing the tuning transforms a guitar: ringing open chords, heavier riffs, easier slide playing. Here are the most popular tunings, what they change and how to get there without snapping a string.
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Three families of tunings
Drop tunings change only one string, usually the lowest, lowered by a whole step: power chords can then be played with a single finger. Open tunings make a full chord ring out when you strum the open strings; they are widely used in blues, slide and folk. Finally, down-tunings lower every string by the same interval to get a heavier sound or suit a singer's range, while keeping your usual fingerings.
The table for each tuning, further down, lists the notes and frequencies string by string. In the tuner, pick the tuning you want: the targets change and the app flags the strings that need to go up.
Notes and frequencies
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | E2 | Mi1 | 82.41 |
| 2 | A2 | La1 | 110.00 |
| 3 | D3 | Ré2 | 146.83 |
| 4 | G3 | Sol2 | 196.00 |
| 5 | B3 | Si2 | 246.94 |
| 6 | E4 | Mi3 | 329.63 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Standard”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | D2 | Ré1 | 73.42 |
| 2 | A2 | La1 | 110.00 |
| 3 | D3 | Ré2 | 146.83 |
| 4 | G3 | Sol2 | 196.00 |
| 5 | B3 | Si2 | 246.94 |
| 6 | E4 | Mi3 | 329.63 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Drop D”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | D2 | Ré1 | 73.42 |
| 2 | A2 | La1 | 110.00 |
| 3 | D3 | Ré2 | 146.83 |
| 4 | G3 | Sol2 | 196.00 |
| 5 | B3 | Si2 | 246.94 |
| 6 | D4 | Ré3 | 293.66 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Double drop D”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | E♭2 | Mi♭1 | 77.78 |
| 2 | A♭2 | La♭1 | 103.83 |
| 3 | D♭3 | Ré♭2 | 138.59 |
| 4 | G♭3 | Sol♭2 | 185.00 |
| 5 | B♭3 | Si♭2 | 233.08 |
| 6 | E♭4 | Mi♭3 | 311.13 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Half step down (E♭)”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | D2 | Ré1 | 73.42 |
| 2 | G2 | Sol1 | 98.00 |
| 3 | C3 | Do2 | 130.81 |
| 4 | F3 | Fa2 | 174.61 |
| 5 | A3 | La2 | 220.00 |
| 6 | D4 | Ré3 | 293.66 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Whole step down (D standard)”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | C2 | Do1 | 65.41 |
| 2 | G2 | Sol1 | 98.00 |
| 3 | C3 | Do2 | 130.81 |
| 4 | F3 | Fa2 | 174.61 |
| 5 | A3 | La2 | 220.00 |
| 6 | D4 | Ré3 | 293.66 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Drop C”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | B1 | Si0 | 61.74 |
| 2 | F♯2 | Fa♯1 | 92.50 |
| 3 | B2 | Si1 | 123.47 |
| 4 | E3 | Mi2 | 164.81 |
| 5 | G♯3 | Sol♯2 | 207.65 |
| 6 | C♯4 | Do♯3 | 277.18 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Drop B”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | D2 | Ré1 | 73.42 |
| 2 | G2 | Sol1 | 98.00 |
| 3 | D3 | Ré2 | 146.83 |
| 4 | G3 | Sol2 | 196.00 |
| 5 | B3 | Si2 | 246.94 |
| 6 | D4 | Ré3 | 293.66 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Open G”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | D2 | Ré1 | 73.42 |
| 2 | A2 | La1 | 110.00 |
| 3 | D3 | Ré2 | 146.83 |
| 4 | F♯3 | Fa♯2 | 185.00 |
| 5 | A3 | La2 | 220.00 |
| 6 | D4 | Ré3 | 293.66 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Open D”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | E2 | Mi1 | 82.41 |
| 2 | B2 | Si1 | 123.47 |
| 3 | E3 | Mi2 | 164.81 |
| 4 | G♯3 | Sol♯2 | 207.65 |
| 5 | B3 | Si2 | 246.94 |
| 6 | E4 | Mi3 | 329.63 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Open E”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | E2 | Mi1 | 82.41 |
| 2 | A2 | La1 | 110.00 |
| 3 | E3 | Mi2 | 164.81 |
| 4 | A3 | La2 | 220.00 |
| 5 | C♯4 | Do♯3 | 277.18 |
| 6 | E4 | Mi3 | 329.63 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Open A”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | C2 | Do1 | 65.41 |
| 2 | G2 | Sol1 | 98.00 |
| 3 | C3 | Do2 | 130.81 |
| 4 | G3 | Sol2 | 196.00 |
| 5 | C4 | Do3 | 261.63 |
| 6 | E4 | Mi3 | 329.63 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Open C”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | D2 | Ré1 | 73.42 |
| 2 | A2 | La1 | 110.00 |
| 3 | D3 | Ré2 | 146.83 |
| 4 | F3 | Fa2 | 174.61 |
| 5 | A3 | La2 | 220.00 |
| 6 | D4 | Ré3 | 293.66 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Open D minor (DADFAD)”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | D2 | Ré1 | 73.42 |
| 2 | A2 | La1 | 110.00 |
| 3 | D3 | Ré2 | 146.83 |
| 4 | G3 | Sol2 | 196.00 |
| 5 | A3 | La2 | 220.00 |
| 6 | D4 | Ré3 | 293.66 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “DADGAD”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | E2 | Mi1 | 82.41 |
| 2 | A2 | La1 | 110.00 |
| 3 | D3 | Ré2 | 146.83 |
| 4 | G3 | Sol2 | 196.00 |
| 5 | C4 | Do3 | 261.63 |
| 6 | F4 | Fa3 | 349.23 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “All fourths”
| String | Note (A4 = 440) | Solfège (La3 = 440) | Frequency (Hz) |
|---|---|---|---|
| 1 | E3 | Mi2 | 164.81 |
| 2 | A3 | La2 | 220.00 |
| 3 | D4 | Ré3 | 293.66 |
| 4 | G4 | Sol3 | 392.00 |
| 5 | B3 | Si2 | 246.94 |
| 6 | E4 | Mi3 | 329.63 |
Strings in physical order, from the lowest in playing position. Frequencies calculated at A = 440 Hz in equal temperament. Tune to “Nashville (high strung)”
Drop tunings
- Drop D (D A D G B E): the 6th string goes down a whole step, from 82.41 Hz to 73.42 Hz. It is the most widespread alternate tuning, from rock to classical.
- Double drop D (D A D G B D): both E strings go down to D. Chords in D ring out fully, with a resonance close to an open tuning.
- Drop C♯, drop C and drop B: the same idea, one or more semitones lower. In drop C, every string goes down a whole step and the 6th string one more whole step, down to C2 at 65.41 Hz.
Open tunings
- Open G (D G D G B D): an open G major chord, reached by lowering three strings. The tuning of acoustic blues and countless rock riffs.
- Open D (D A D F♯ A D): a D major chord, popular for slide and folk. Four strings go down, none go up.
- Open E (E B E G♯ B E): the same intervals as open D, one whole step higher. The 5th and 4th strings go up a whole step and the 3rd a semitone, which noticeably increases the tension on the neck.
- Open A (E A E A C♯ E): the same intervals as open G, one whole step higher. The 4th, 3rd and 2nd strings go up: take the same care as with open E.
- Open C (C G C G C E): very deep and full, with the 6th string lowered by two whole steps. The 2nd string, however, goes up a semitone, from B to C.
- Open D minor (D A D F A D): the minor version of open D, with dark colors, often used in blues and film music.
DADGAD, all fourths and Nashville
DADGAD (D A D G A D) is neither major nor minor: it forms a suspended chord that leaves the third to your fingers. It is at the heart of Celtic guitar and fingerstyle. All-fourths tuning (E A D G C F) removes the irregular major third between G and B: every interval is the same, which appeals to jazz players and bassists moving to guitar; the two highest strings go up a semitone.
Nashville tuning, or high-strung tuning, keeps the standard notes but puts the four lowest strings an octave higher, using the thin strings from a 12-string set. It is used in the studio to double a normal guitar with a shimmering sound. Above all, never try to raise your regular low strings by an octave: you must fit a different set of strings.
Changing tuning without breaking a string
- Identify the strings that go up: those are the ones at risk of breaking. The tuner flags them as soon as you select a new tuning.
- Slacken the strings that go down first, then bring the others up slowly, plucking the string often.
- For a string that goes up, approach the note from below and do not overshoot: the anti-breakage alert fires if the string heads toward the octave above.
- Do a full second pass: the overall tension on the neck has changed, and the first strings will have drifted slightly.
- For very low tunings such as drop C or drop B, switch to a heavier gauge. Strings that are too light and too slack buzz, sound flabby and go out of tune with every pick stroke.
Create and share your own tuning
The tuner comes with nearly 70 ready-made tunings for 6-, 7- and 12-string guitar, baritone guitar, bass, ukulele and other instruments. If yours is not there, build it note by note: it is saved on your device and you can send it as a link to a student or another musician, who opens it directly.
A handy detail: if you play in standard tuning with the low string dropped to D, the tuner notices and offers to switch to drop D.
Frequently asked questions
Which alternate tuning should I start with?
Drop D, because only one string changes and it goes down. You keep all your usual fingerings on the other five strings.
Can open G or open D damage my guitar?
No, both tunings only slacken strings. Total tension drops slightly, with no risk at all to the neck.
Why is open E not recommended on some guitars?
Because three strings go above standard pitch, which adds tension and makes the G string more likely to snap. Open D gives the same intervals a whole step lower; with a capo at the 2nd fret you get open E safely.
Does my guitar need a setup after changing tuning?
Not for an occasional change. If you stay in a very low tuning for a long time with heavier strings, adjusting the neck and intonation may become necessary.
What is the difference between D standard and drop D?
In D standard, all six strings go down a whole step (D G C F A D). In drop D, only the 6th string goes down and the others stay in standard.
Can I use a capo with an open tuning?
Yes, it is very common. Enter the capo fret in the tuner to check your tuning without taking the capo off.